entundra 4 — Mitch Elliott with Hinano Fujisaki and Jasper c-a
About
entundra is an independent event series connecting artists from the international DIY underground with Sydney’s experimental music scene.
For this occasion, Mitch Elliott returns from a giant 7 week tour across Asia to reunite with saxophonist and flautist Hinano Fujisaki and experimental guitarist Jasper c-a. Joining them are experimental electronic artist ealing, South Korean interdisciplinary artist AnSo, and a premiere duo performance by Taiwanese artist BEI SAN Q Nan and saxophonist Aidan Wong.
Spanning visceral noise, maximalist electronics, extended instrumental techniques and immersive sonic world-building, entundra 4 brings together four unique approaches to experimental music.
Artists
Mitch Elliott with Hinano Fujisaki and Jasper c-a
Mitch Elliott uses the Lyra-8 synthesizer and Ableton Live for sonic world-building, exploring the tension between overwhelming harshness and beauty, melancholy and euphoria.
Touring the Australian-Asian DIY underground since late 2024, Elliott has performed alongside artists including Dis Fig, Yuko Araki, Simon Barker and Ryosuke Kiyasu. His other recent releases include A Spring-Flood Overflows the Still Horizon (2025) and Low Water / Last Act (2026), both developed with Berlin-based mix engineer Boris Wilsdorf (Einstürzende Neubauten).
For this album launch performance, Elliott reunites with saxophonist and flautist Hinano Fujisaki and experimental guitarist Jasper c-a. On other occasions Mitch and Jasper are known as withdrawe, Jasper and Hinano as No Ceremony, and together the trio are sometimes Black Metal 3.
“[Mitch Elliott] began his set by conjuring a deep distorted drone into the room. When experimental guitarist Jasper Craig-Adams and saxophonist/flautist Hinano Fujisaki gradually joined this drone, it felt as if the three began to sink into a fable.”
— Angus Sharpe, on Elliott’s EP launch at The Vanguard, 12 November 2025.
ealing
One of the country’s more enigmatic figures, ealing is an electronic artist whose corrosive, maximalist style absorbs the sounds of the Internet and presents them on new terms. Their style spans bass, techno, hip-hop, ambient, and hyperpop in a fully cohesive manner through their distinct production, raucous DJ sets and captivating live performances.
kisseswhipthevision is their conceptual second EP, world-building in a probable ecological future in a maximalist sonic exploration of counter-cartography and counter-tech approaches. Across its eight tracks, kisseswhipthevision is like a creased signal back in time: a radio transmission folding along ghostly invisible waves.
ealing’s dense palette and singular approach has seen extensive support from NTS Radio, triple j, Mixmag Australia, Hong Kong Community Radio, FBi Radio, as well as artists such as Iglooghost and Ninajirachi. Nominated for FBi Radio’s Next Big Thing in 2023, ealing has since supported the likes of Vegyn, Cakes da Killa, MC Yallah, Danielle, and Pangea, as well as played at Cockatoo Island’s Mode Festival 2024.
AnSo
AnSo, an interdisciplinary South Korean artist and performer residing and creating on Dharug land, blends their Korean culture with contemporary performance in their practice.
As a self-described sculptor of sound, AnSo’s works delve into the intricacies of cultural and queer identity through sound, body, and vocal art. Their music lies in the experimental electronic realm, building worlds with field recording manipulations and vocal experimentation.
Through dynamic performances, AnSo seeks to bridge the gap between tradition and modernity through experimentation and improvisation. The back-and-forth weave between Korean and English lyrics in their music highlights AnSo’s experience of diaspora and cultural loss.
BEI SAN Q Nan & Aidan Wong
BEI SAN Q Nan and Aidan Wong perform as a duo for the first time.
Hailing from Taiwan, BEI SAN Q Nan crafts sounds intended to evoke direct visceral and physical reactions from the audience.
Aidan Wong is a tenor saxophonist from Sydney. His creative work largely involves the investigation of different textures and sound combinations that can be made from his instrument, which has led to the development of a multiphonics-based practice with the goal of being able to play such notes with the same fluidity and spontaneity as conventional notes.
Aidan has been involved in a range of improvised music and jazz projects and groups over the past four years. These include Sydney’s long-running Splinter Orchestra, as well as self-led and collaborative projects such as the Denmond Wong Orchestra, Nigel is no More and Madder Bag.
TICKETING INFO
This is an 18+ event.
Do not attend if you are feeling unwell.
PLEASE NOTE THE FOLLOWING:
Once purchased tickets are non-refundable & non-transferable
A booking fee applies to all advance tickets. (All quoted prices include tax).
Over 18's only unless advertised otherwise.
No Outside food or drinks are to be brought into the venue.
All children under 18 not permitted including small children and babies. Photo ID is essential, acceptable ID is a current and valid Australian Drivers Licence or Passport. Intoxicated persons will not be admitted. No thongs, steel cap boots, or spiked attire. Dangerous behaviour including Crowd Surfing, Stage Diving, Moshing and Violent Dancing is not allowed and will result in your immediate removal from this venue. Inappropriate behaviour at this venue will lead to your banning.
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